My friend Laura laughs every time I complain about wanting my photography to be more “crispity”.
“What does that even mean?” she asks.
I was finally able to put into words that I want to make those sharp, crisp editorial-looking portraits that you see in Vanity Fair for my clients, but I want to do it while still maintaining an organic sense of place and posing that is why a lot of people hire me in the first place. This is where I am creatively, and it is so exciting to be “somewhere creatively” (I am so cool!) but also kind of frustrating because I’m not “there” yet.
I do know, though, that it has a lot to do with proper lighting, and I’m trying to make it work with what I have before I move on to the more expensive stuff. This morning “what I had” was Marley, who I asked to stand off to the side and hold an off camera flash, like a human light stand. I’d never done this before, and it’s not totally perfect, but it’s a really solid good start (my clients this morning met on the subway, and they wanted to take their engagement photos underground, which would normally strike fear into the heart of a photographer, but I was super excited.)